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No Country for Old Men: Pro & Con Review of Hollywood's "Best Picture of the Year"

by Royal Brown and Christopher Sharrett

A Steady Gaze: The Films of Manoel de Oliveira

by Jared Rapfogel

"Above all... don't perform!": Playing to the Camera of Luis Buñuel

by Julie Jones

First You Get the Power, Then You Get the Money: Two Models of Film Festivals

by Mark Peranson

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The Enigma of What Endures in Manoel de Oliveira's Belle Toujours

by Nathaniel Drake Carlson
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Interviews

An Ethical Cinema: An Interview with Manoel de Oliveira

by Jared Rapfogel

Speaking Documentary Truth to Power: An Interview with Alex Gibney

by Gary Crowdus

A Sense of Place: An Interview with Ramin Bahrani

by Richard Porton
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The Cinema of Identification Gets on My Nerves: An Interview with Christian Petzold

by Marco Abel
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Taxi to the Dark Side and Standard Operating Procedure

by Robert Sklar

Brick Lane

by Jonathan Murray
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Heartbeat Detector

by Megan Ratner

The Duchess of Langeais

by Michael Sicinski

Diary of the Dead

by Thomas Doherty

Poisoned by Polonium

by Louis Menashe

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Encounters at the End of the World

by Christopher Long
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A Jihad for Love

by Alisa Lebow
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Departments

Speaking Documentary Truth to Power

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In Memoriam: Paul Arthur

Read our tribute to Paul

Days of Heaven

by David Sterritt

Pierrot le fou

by Royal Brown
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Chameleon Street

by Clifford Thompson

Walker

by Robert Rosenstone

Nosferatu: Symphony of Horror

by Michael Bronski

The W.C. Fields Comedy Collection

by Robert Cashill
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Staff Recommendations: Breaker Morant; Cocalero; Oil, Smoke and Mirrors; The Red and the White; Val Lewton: The Man in the Shadows

by Cineaste Editors

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Class Relations

by David Sterritt
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Communiqué

The Berlin International Film Festival

by Richard Porton

The World and Its Double: The Life and Work of Otto Preminger and Otto Preminger: The Man Who Would be King

by Jonathan Rosenbaum

Surrealism and Cinema and The Unsilvered Screen: Surrealism on Film

by David Archibald

Sleaze Artists

by Adam Nayman

Abel Ferrara

by Steve Erickson

Hitchcock's Romantic Irony

David Greven

Film Musings

Claudia Gorbman

Women's Experimental Cinema

David Sterritt

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Becoming Visionary: Brian De Palma's Cinematic Education of the Senses

by David Greven
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Paul Arthur

Unseen No More? The Avant-Garde on DVD

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In the Mood for Love

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True Confessions, Sort of: Capturing the Friedmans and the Dilemma of Theatrical Documentary

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